Some links on our site are more than mere connections – they’re affiliate links. This means if you strike a chord (aka make a purchase) through them, we may earn a commission. It costs you nothing extra.
The Behringer Model D Analogue Synthesizer is a fascinating piece of equipment, hailed as a close equivalent to the legendary 1970s Minimoog, but with some additional features that add to its appeal. It’s designed to mirror the Minimoog, especially the 2016 reissue, featuring a low-frequency oscillator and a filter EG modulation source. This synthesizer is characterized by its three voltage-controlled oscillators and a filter that can be switched between lowpass and highpass modes. It also includes a classic 24 dB voltage-controlled filter with Emphasis, an overdrive circuit, and CV connectivity, making it versatile and adaptable.
Pros:
- Authentic Sound: Mirrors the sound quality of the classic Minimoog, offering a rich and authentic analog sound experience.
- Versatile Filter: Features a dual-mode 24dB/oct filter with low-pass and high-pass options, expanding sound sculpting capabilities.
- Eurorack Compatibility: Can be integrated into a Eurorack setup, offering additional flexibility for modular synth enthusiasts.
- Polychaining Support: Allows chaining up to 16 units to create a polysynth, enhancing its functionality.
- Affordable: Priced competitively, making it accessible for a wide range of users.
Cons:
- Filter Tracking Inaccuracy: The filter tracking is not completely accurate across the keyboard, which may affect sound consistency.
- Complex MIDI Channel Selection: The process of changing MIDI channels can be cumbersome, especially when the synth is used in a Eurorack.
- Limited Oscillator Range: Some users might find the oscillator range limiting compared to other synthesizers.
- No Built-In Reverb or Delay: Lacks built-in reverb or delay effects, which are common in many synthesizers.
- Design Ergonomics: The dense placement of knobs and switches might be challenging for some users, especially those used to more spacious layouts.
In terms of sound and performance, the Model D’s filter section is a highlight. It offers a resonant 24dB/oct filter with dual modes (low-pass and high-pass). The filter’s performance in low-pass mode revealed that it could self-oscillate down to 64Hz, which is lower than the vintage Minimoog’s lowest frequency of self-oscillation at around 150Hz. This characteristic is crucial because it influences how bass sounds are created on the synthesizer. Additionally, the filter and loudness contours have separate gate inputs, which is unusual for an integrated synthesizer and not found on the Minimoog Model D.
One of the standout features of the Behringer Model D is its Eurorack compatibility. It comes with a Doepfer-style power cable, allowing it to be connected to a Eurorack’s power supply. This adds a layer of flexibility for users interested in modular setups. The synth also supports Polychaining, enabling you to chain up to 16 units to create a polysynth, expanding its capabilities significantly.
However, there are a few drawbacks. For instance, the filter tracking is not entirely accurate across a 44-note keyboard, and the MIDI channel selection, which previously was managed by DIP switches on the rear panel, becomes more complicated when the synth is removed from its boat for Eurorack mounting.
For alternatives, synthesizers like the Arturia MicroBrute or the Korg Monologue might be considered. These offer a similar range of features and are also well-regarded in the synthesizer community. The choice largely depends on the specific features and sound profile you are looking for in a synthesizer.
Overall, the Behringer Model D stands out as a cost-effective, feature-rich analog synthesizer that closely emulates the sound and feel of the Minimoog, while adding its unique touches and modern functionality.
3 comments